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Hello, fellow fiction writers.
One of the strangest moments in writing a novel is realising your character is absolutely convinced they know what they want… and the story couldn’t care less. This isn’t a flaw. It’s actually where good fiction lives. If you’ve ever thought, “My character feels real, but the plot keeps stalling,” chances are you’ve got a mismatch between what your character wants and what the story needs. Let’s untangle that. 🎯 What Does “Character Wants” Mean? A character’s want is what they believe will fix their life. It’s usually:
🧠 What Does “The Story Needs” Mean? The story needs change. Specifically:
The story needs to push them into the thing they’re avoiding. ⚔️ Where the Conflict Lives Great stories happen when: What the character wants is in direct conflict with what the story needs. That tension creates:
✏️ A Simple Example Character wants: He wants to keep his head down and survive. Story needs: He must take responsibility and stand up, even if it costs him. Every obstacle should force him to choose:
👣 A Personal Anecdote: The Polite Protagonist Problem I once wrote a protagonist who desperately wanted everyone to get along. He avoided conflict. He smoothed things over. He compromised constantly. He was very nice. He was also completely boring. The story didn’t need politeness. It needed confrontation. Once I put him in situations where being nice made things worse, the book finally woke up. 🧩 Wants vs Needs in Action Want:She wants to forget the past. Need:She must face it. Want:He wants freedom. Need:He must accept responsibility. Want:They want justice. Need:They must confront their own guilt. Notice how the need is always harder. 🚫 Common Mistakes Writers Make 1. Letting the Want Win Too Early If the character gets what they want halfway through, momentum collapses. 2. Confusing Wants with Needs “I want answers” is often just a plot device, not an internal need. 3. Protecting the Character If you shield them from discomfort, the story starves. 🛠 How to Use This in Your Own Writing Ask these questions:
🎭 Genre Examples Thriller
🎬 Wrapping It Up Characters chase what they want. Stories demand what they need. Your job isn’t to help your character get comfortable — it’s to put them in situations where comfort fails and growth becomes unavoidable. When want and need collide, readers lean in. That’s not coincidence. That’s craft. Your turn: What does your current protagonist want — and what do you suspect the story is quietly demanding instead? If those two things don’t match yet, you’ve just found your next breakthrough.
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James Field
Talvik, Norway You can also Find me on subscribe to get a:
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